{"title":"Anastasio Home x Janie Kruse Garnett","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eJanie Kruse Garnett designs jewelry on the logic of classical architecture — trained in art history, with Palladio, Inigo Jones, and the golden ratio among her working references. This collaboration carries that bench-scale precision into stone. Each vessel is drawn from a classical source — a newel-post finial, a mustard pot, a Victorian rose bowl — and engineered to hold flowers in practice: rounded lips where a stem might otherwise snap, wide bases that resist tipping, and enough marble weight to steady a tall, top-heavy bouquet. Every piece is carved in Indian marble by the artisans of our Rajasthan atelier in a limited production run.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"pomegranate-vase-large-anastasio-home-x-janie-kruse-garnett","title":"Dentilated Pomegranate Vase (Large) | Anastasio Home x Janie Kruse Garnett","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"61:1-61:899;4263-5161\"\u003eA pomegranate keeps its calyx — the hard, lobed crown left behind by the flower — long after the fruit ripens, and the vase keeps it too: a full, round body rising to a short, notched neck. Those notches are dentils, the small tooth-like blocks that run beneath a classical cornice; the name comes from the Latin for tooth, and it gives the piece its name.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"61:1-61:899;4263-5161\"\u003eIt is carved in Cherry Gold, a marble quarried in the Chittorgarh region of Rajasthan, where iron oxide gives the stone its oxblood ground and cream-and-gold veining breaks across it, so no two vases repeat. The fruit has carried this work before: introduced to Italy through trade with the Ottoman Empire, the pomegranate motif dominated Renaissance silks and velvets for over a century as a sign of abundance. The weight is the design — it sits low and keeps the vessel planted, so tall and top-heavy stems stay exactly where they are set.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"63:1-63:17;5163-5179\"\u003e\u003cstrong\u003eJanie's note: \u003c\/strong\u003eThis one is for my father, who taught me that \"dentilated\" means teeth — which I have always found chic. I pictured it in a study or a library. The pomegranate is a motif I come back to again and again; it has carried meanings of hospitality and abundance for centuries. — \u003cem\u003eJanie Kruse Garnett\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e8\" Diameter x 8.25\" H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJanie Kruse Garnett designs jewelry on the logic of classical architecture — trained in art history, with Palladio, Inigo Jones, and the golden ratio among her working references. This collaboration carries that bench-scale precision into stone. Each vessel is drawn from a classical source — a newel-post finial, a mustard pot, a Victorian rose bowl — and engineered to hold flowers in practice: rounded lips where a stem might otherwise snap, wide bases that resist tipping, and enough marble weight to steady a tall, top-heavy bouquet. Every piece is carved in Indian marble by the artisans of our Rajasthan atelier in a limited production run.\u003c\/span\u003e\u003c\/p\u003e","brand":"Anastasio Home","offers":[{"title":"Cherry Gold","offer_id":44427491475507,"sku":"AH-JKG-POM-LG-CG","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/6388\/7673\/files\/Pom_LG_1-2.jpg?v=1782247505"},{"product_id":"pomegranate-vase-small-anastasio-home-x-janie-kruse-garnett","title":"Dentilated Pomegranate Vase (Small) | Anastasio Home x Janie Kruse Garnett","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"73:1-73:572;5568-6139\"\u003eThe smaller pomegranate, carved in Matcha — a pale celadon-green marble, soft and milky, the color of the fruit before it ripens, while the skin is still green. The form is the large vase's: a full, round body and a short neck banded with dentils, the tooth-like blocks of a classical cornice that give the piece its name, from the Latin for tooth.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"73:1-73:572;5568-6139\"\u003eIt works the same way, too — the weight sits low and keeps the vessel planted, so stems stay where they are set. At six inches across, it is sized for the cutting a garden actually gives: a few stems rather than an armful.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"75:1-75:17;6141-6157\"\u003e\u003cstrong\u003eJanie's note: \u003c\/strong\u003eThis one is for my father, who taught me that \"dentilated\" means teeth — which I have always found chic. I pictured it in a study or a library. The pomegranate is a motif I come back to again and again; it has carried meanings of hospitality and abundance for centuries. — \u003cem\u003eJanie Kruse Garnett\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e6\" Diameter x 5.75\" H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJanie Kruse Garnett designs jewelry on the logic of classical architecture — trained in art history, with Palladio, Inigo Jones, and the golden ratio among her working references. This collaboration carries that bench-scale precision into stone. Each vessel is drawn from a classical source — a newel-post finial, a mustard pot, a Victorian rose bowl — and engineered to hold flowers in practice: rounded lips where a stem might otherwise snap, wide bases that resist tipping, and enough marble weight to steady a tall, top-heavy bouquet. Every piece is carved in Indian marble by the artisans of our Rajasthan atelier in a limited production run.\u003c\/span\u003e\u003c\/p\u003e","brand":"Anastasio Home","offers":[{"title":"Matcha","offer_id":44427491803187,"sku":"AH-JKG-POM-SM-MAT","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/6388\/7673\/files\/Pom_SM_1-2.jpg?v=1782247479"},{"product_id":"mustard-pot-vase-anastasio-home-x-janie-kruse-garnett","title":"Mustard Pot Vase | Anastasio Home x Janie Kruse Garnett","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"85:1-85:602;6529-7130\"\u003eThe glazed stoneware mustard pot was a utility object of nineteenth-century Dijon — filled, sealed, and sold by the city's mustard makers, then kept for a long second life on the kitchen shelf. The vase holds the form they were known by: a straight-sided body under a rolled collar, carved in Midnight, a black marble veined in white and grey. Like the rest of the collection, the weight does the work — solid marble, a low center, a squat proportion that will not tip. At four inches across it takes a short cutting, or returns to its first job, keeping upright whatever a desk or a counter collects.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"87:1-87:17;7132-7148\"\u003e\u003cstrong\u003eJanie's note: \u003c\/strong\u003eI copied this almost exactly from a vintage mustard pot that is one of my family's most prized possessions. It is the right size for the handful of short-stemmed cuttings you gather on the way home from the school run. — \u003cem\u003eJanie Kruse Garnett\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e4\" Diameter x 4.75\" H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJanie Kruse Garnett designs jewelry on the logic of classical architecture — trained in art history, with Palladio, Inigo Jones, and the golden ratio among her working references. This collaboration carries that bench-scale precision into stone. Each vessel is drawn from a classical source — a newel-post finial, a mustard pot, a Victorian rose bowl — and engineered to hold flowers in practice: rounded lips where a stem might otherwise snap, wide bases that resist tipping, and enough marble weight to steady a tall, top-heavy bouquet. Every piece is carved in Indian marble by the artisans of our Rajasthan atelier in a limited production run.\u003c\/span\u003e\u003c\/p\u003e","brand":"Anastasio Home","offers":[{"title":"Midnight","offer_id":44427493867571,"sku":"AH-MUST-MID","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/6388\/7673\/files\/Mustard_1-2.jpg?v=1782247429"},{"product_id":"globe-vase-large-anastasio-home-x-janie-kruse-garnett","title":"Tuscan Order Globe Vase (Large) | Anastasio Home x Janie Kruse Garnett","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"97:1-97:795;7481-8275\"\u003eThe Tuscan order is the plainest of the five classical orders — the Romans' stripped-down Doric, unfluted and unadorned, codified in the Renaissance by Serlio and Palladio. This vase is its volume in stone: a turned globe, like the newel-post finial that caps a balustrade, seated on stepped moldings under a rolled collar.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"97:1-97:795;7481-8275\"\u003eIt is carved in Emerald, a deep green marble veined in jade and teal, polished to a surface that reads nearly black until light moves across it. The collar does the arranging — a mouth narrower than the body gathers stems at the neck so they fan on their own — while the weight of the solid marble sits low in the globe and the stepped foot keeps it planted. At six inches across and seven and a half tall, it takes a full hand-tied bunch as readily as three tall stems.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"99:1-99:17;8277-8293\"\u003e\u003cstrong\u003eJanie's note: \u003c\/strong\u003eThe pared-down Doric baby sister of the collection — understated, and at home anywhere. A perfect orb is about as classic as a motif gets, and there is enough marble here to hold an oversized stem without going over. — \u003cem\u003eJanie Kruse Garnett\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e6\" Diameter x 7.5\" H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJanie Kruse Garnett designs jewelry on the logic of classical architecture — trained in art history, with Palladio, Inigo Jones, and the golden ratio among her working references. This collaboration carries that bench-scale precision into stone. Each vessel is drawn from a classical source — a newel-post finial, a mustard pot, a Victorian rose bowl — and engineered to hold flowers in practice: rounded lips where a stem might otherwise snap, wide bases that resist tipping, and enough marble weight to steady a tall, top-heavy bouquet. Every piece is carved in Indian marble by the artisans of our Rajasthan atelier in a limited production run.\u003c\/span\u003e\u003c\/p\u003e","brand":"Anastasio Home","offers":[{"title":"Emerald","offer_id":44427495342131,"sku":"AH-JKG-GLOBE-LG-EM","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/6388\/7673\/files\/Globe_LG_1-2.jpg?v=1782247401"},{"product_id":"globe-vase-small-anastasio-home-x-janie-kruse-garnett","title":"Tuscan Order Globe Vase (Small) | Anastasio Home x Janie Kruse Garnett","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"109:1-109:553;8627-9179\"\u003eThe same turned globe as the large Tuscan Order — the Romans' pared-down Doric, the plainest of the classical orders — here in Matcha, a pale celadon-green marble, soft and milky, quiet enough in its veining that the turned profile reads first. The collar works the same way at this scale: a mouth narrower than the body gathers stems at the neck so they fan on their own, and the solid marble keeps the weight low and planted. At five and a quarter inches across, it is sized for short stems — sweet peas, ranunculus, the first cuttings of the season.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"111:1-111:17;9181-9197\"\u003e\u003cstrong\u003eJanie's note: \u003c\/strong\u003eThe pared-down Doric baby sister of the collection — understated, and at home anywhere. A perfect orb is about as classic as a motif gets, and there is enough marble here to hold an oversized stem without going over. — \u003cem\u003eJanie Kruse Garnett\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e5.25\" Diameter x 5.75\" H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJanie Kruse Garnett designs jewelry on the logic of classical architecture — trained in art history, with Palladio, Inigo Jones, and the golden ratio among her working references. This collaboration carries that bench-scale precision into stone. Each vessel is drawn from a classical source — a newel-post finial, a mustard pot, a Victorian rose bowl — and engineered to hold flowers in practice: rounded lips where a stem might otherwise snap, wide bases that resist tipping, and enough marble weight to steady a tall, top-heavy bouquet. Every piece is carved in Indian marble by the artisans of our Rajasthan atelier in a limited production run.\u003c\/span\u003e\u003c\/p\u003e","brand":"Anastasio Home","offers":[{"title":"Matcha","offer_id":44427497766963,"sku":"AH-JKG-GLOBE-SM-MAT","price":265.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/6388\/7673\/files\/Globe_SM_1-2.jpg?v=1782247361"},{"product_id":"rose-bowl-vase-anastasio-home-x-janie-kruse-garnett","title":"Rose Bowl Vase | Anastasio Home x Janie Kruse Garnett","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"121:1-121:848;9523-10370\"\u003eThe rose bowl is a Victorian form — a low, open vessel made for roses cut short, and known across Europe as a potpourri bowl when it held the dried petals instead. Traditionally it carried a wire grid across the mouth to hold short, heavy stems upright; here that job is done by a single hole drilled into the base, which holds one short, top-heavy stem dead center without a frog.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"121:1-121:848;9523-10370\"\u003eIt is carved as a hemisphere on a turned foot with a notched rim, in Emerald — a deep green marble veined in jade and teal — or Warm Oyster, a pale dove-grey marble, soft and cloudy. A bowl arranges differently than a vase: stems cut short and crossed lean on the rim and arch outward, so a single peony and a handful of asters make a full centerpiece, and the weight of the marble holds the lean. Between arrangements it keeps a vanity's small things in one place.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"123:1-123:17;10372-10388\"\u003e\u003cstrong\u003eJanie's note: \u003c\/strong\u003eThis was my first idea for the collection. My mother kept spiky metal frogs in the bottoms of her vases — the stuff of nightmares — so I drilled a single hole into the base instead, to hold a short, heavy, scented rose upright on its own. When it is not holding flowers it makes a fine cache-pot, or a fruit bowl. — \u003cem\u003eJanie Kruse Garnett\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 6\" Diameter x 4\" H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJanie Kruse Garnett designs jewelry on the logic of classical architecture — trained in art history, with Palladio, Inigo Jones, and the golden ratio among her working references. This collaboration carries that bench-scale precision into stone. Each vessel is drawn from a classical source — a newel-post finial, a mustard pot, a Victorian rose bowl — and engineered to hold flowers in practice: rounded lips where a stem might otherwise snap, wide bases that resist tipping, and enough marble weight to steady a tall, top-heavy bouquet. Every piece is carved in Indian marble by the artisans of our Rajasthan atelier in a limited production run.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Anastasio Home","offers":[{"title":"Emerald","offer_id":44427497963571,"sku":"AH-JKG-ROSE-EM","price":185.0,"currency_code":"USD","in_stock":true},{"title":"Cool Oyster","offer_id":44427497996339,"sku":"AH-JKG-ROSE-OY","price":185.0,"currency_code":"USD","in_stock":true},{"title":"Warm Oyster","offer_id":44458869260339,"sku":"AH-JKG-ROSE-OY-PAC","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/6388\/7673\/files\/Rose_EM_1-2.jpg?v=1782247262"},{"product_id":"ink-pot-vase-large-anastasio-home-x-janie-kruse-garnett","title":"Ink Pot Vase (Large) | Anastasio Home x Janie Kruse Garnett","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"49:1-49:604;3352-3955\"\u003eThe same nineteenth-century cone ink bottle, scaled up. The original — what collectors call the umbrella ink — was faceted and wide at the base so a writer's pen couldn't knock it over, and this vase keeps that geometry: a broad cone rising to a ringed shoulder and a short collared neck, carved in Matcha, a pale celadon-green marble, soft and milky.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"49:1-49:604;3352-3955\"\u003eMost of the weight sits in the base, putting the widest point exactly where tipping starts. At six inches across the foot it takes the loose, mixed bunch you carry in from a garden in one hand, and holds it steady on a desk edge or an open windowsill.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" data-sourcepos=\"51:1-51:17;3957-3973\"\u003e\u003cstrong\u003eJanie's note: \u003c\/strong\u003eThe grown-up version of the little ink jar I kept by my bed as a child — the same shape, sized up for the loose, mixed bunch you bring in from the garden in one hand. — \u003cem\u003eJanie Kruse Garnett\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 6\" Diameter x 6\" H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJanie Kruse Garnett designs jewelry on the logic of classical architecture — trained in art history, with Palladio, Inigo Jones, and the golden ratio among her working references. This collaboration carries that bench-scale precision into stone. Each vessel is drawn from a classical source — a newel-post finial, a mustard pot, a Victorian rose bowl — and engineered to hold flowers in practice: rounded lips where a stem might otherwise snap, wide bases that resist tipping, and enough marble weight to steady a tall, top-heavy bouquet. Every piece is carved in Indian marble by the artisans of our Rajasthan atelier in a limited production run.\u003c\/span\u003e\u003c\/p\u003e","brand":"Anastasio Home","offers":[{"title":"Matcha","offer_id":44427498291251,"sku":"AH-JKG-INK-LG-MAT","price":265.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/6388\/7673\/files\/Ink_LG_1-2_09c235d3-bf9e-4ea2-b36c-1339b13f48a4.jpg?v=1782247628"},{"product_id":"ink-pot-vase-bud-anastasio-home-x-janie-kruse-garnett","title":"Ink Pot Vase (Bud) | Anastasio Home x Janie Kruse Garnett","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe cone ink bottle was the most common ink bottle of the nineteenth century — faceted, squat, and wide at the base so a dip pen couldn't tip it over. Collectors know the form as the umbrella ink. Most stood between two and three inches tall; this bud vase holds that scale exactly, at three inches, and keeps the geometry with it: a wide cone, a ringed shoulder, a narrow collar. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThe narrow mouth takes a stem or two upright — the short, fully-stemmed flowers a taller vase would swallow — and solid marble gives even three inches of vase enough weight to stay where it's set, on a windowsill, a nightstand, or the rim of a sink. Offered in four stones: Matcha, Cherry Gold, Midnight, and Jet.\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eJanie's Note: \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-sheets-root=\"1\"\u003eMy mother dug a Victorian glass ink jar out of the garden when I was small, and I claimed it on sight as my bedside bud vase. This is that jar, scaled into marble — the right size for a few short stems, and impossible to knock over. — \u003cem\u003eJanie Kruse Garnett\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 3\" Diameter x 3\" H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJanie Kruse Garnett designs jewelry on the logic of classical architecture — trained in art history, with Palladio, Inigo Jones, and the golden ratio among her working references. This collaboration carries that bench-scale precision into stone. Each vessel is drawn from a classical source — a newel-post finial, a mustard pot, a Victorian rose bowl — and engineered to hold flowers in practice: rounded lips where a stem might otherwise snap, wide bases that resist tipping, and enough marble weight to steady a tall, top-heavy bouquet. Every piece is carved in Indian marble by the artisans of our Rajasthan atelier in a limited production run.\u003c\/span\u003e\u003c\/p\u003e","brand":"Anastasio Home","offers":[{"title":"Matcha","offer_id":44427499438131,"sku":"AH-JKG-INK-BUD-MAT","price":150.0,"currency_code":"USD","in_stock":true},{"title":"Cherry Gold","offer_id":44455433797683,"sku":"AH-JKG-INK-BUD-CG","price":150.0,"currency_code":"USD","in_stock":true},{"title":"Midnight","offer_id":44455433830451,"sku":"AH-JKG-INK-BUD-MID","price":150.0,"currency_code":"USD","in_stock":true},{"title":"Jet","offer_id":44458745528371,"sku":"AH-JKG-INK-BUD-JET","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/6388\/7673\/files\/Ink_SM-1.jpg?v=1782247098"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/6388\/7673\/collections\/ASSORTMENT-42.jpg?v=1782833439","url":"https:\/\/anastasiohome.com\/collections\/ah-x-jkg.oembed","provider":"Anastasio Home","version":"1.0","type":"link"}